The persistent use of line, gesture, and color continues to access many reoccurring threads in my work over the past thirty years.  I am interested in the connections that are revealed from a group of seemingly diverse but ultimately very related works of formal abstractions. Compositus I Compositus II Compositus III Compositus IVCompositus V Compositus VI Composites VIICompositus VIII Compositus XCompositus XI Compositus XII Compositus XIII Compositus XIVCompositus XV Compositus XVI Compositus XVII